Ace Magazine/

One way to solve this publishing predicament — sometimes for better, sometimes for worse — is to publish the book yourself. In 1855, Walt Whitman set type at his friend’s printing company, then paid for the printing of the first edition of his unappreciated masterpiece Leaves of Grass.

With the help of his wife, William Blake — considered by his contemporaries to be a madman, and now regarded as one of the world’s great poets — handcrafted all his books in his own workshop at home.

Some other once-ignored now-famous writers who have self-published include Benjamin Franklin; Henry David Thoreau; Mark Twain (The Adventures of Huckleberry Finn); Carl Sandburg; Rudyard Kipling; William Strunk, Jr. (The Elements of Style); D.H. Lawrence; Gertrude Stein; Beatrix Potter; the Bronte Sisters; John Galsworthy; Edgar Allan Poe; Robert Browning; George Bernard Shaw; Samuel Butler; William E.B. Du Bois; James Joyce (Ulysses); Anais Nin; and Virginia Woolf.

While many of the well-known major publishers have had to merge to stay alive, small-press publishing and self-publishing is thriving. In the United States, more than 100,000 books are published every year. According to author and self-publishing guru Dan Poynter, approximately 53,000 of these books are published by small presses and independent publishers.

Self-publishing your book differs from getting the book published by a larger publisher in three important ways. When your book is published by a larger publisher, then that publisher 1) pays for all the printing and publicizing expenses; 2) does the work of preparing the manuscript, working with the printer, and getting publicity and selling the book; and 3) keeps most the profits: generally between 85 percent to 94 percent of the sales. (But keep in mind that the publisher loses 40 percent to 50 percent of these profits to pay retailers and distributors.)

How is self-publishing financially different? Self-publishing authors 1) pay for everything; 2) do all the work; and 3) keep all the profit.

With the so-called vanity presses the author gets the worst of both worlds: the author pays for the printing of the book, and still pays the vanity publisher a large percentage for each book sold.

Urbana (Illinois) publisher and author Rupert Evans has been practicing and promoting a unique variation to the standard method of self-publishing. Evans, a professor emeritus at the University of Illinois, explains it thoroughly in his self-published book Book-on-Demand Publishing. (The most troublesome problem with the financial end of self-publishing is that the publishers-authors print, for example, one thousand books (printing less will usually cost too much per book), and then, too-often (as Thoreau and Whitman discovered) can sell only a small percentage of that amount. Evans neatly cuts this Gordian knot by making his own books, one at a time, in his workshop at home. Evans prints the pages of his book with a laser printer; then binds them with a strong adhesive glue; then cuts the edges with a powerful paper cutter called a guillotine. Using Evans’s method, if a publisher receives an order for ten books, the publisher simply makes ten books. There’s no enormous initial printing expense to fork out, and no large inventory to clog your closet space. Evans says that binding your own books at home is easy, and can be learned in less than one hour. And if you don’t want to buy a guillotine cutter, you can take your book to any copy shop, which will be glad to trim it on three sides for a reasonable price.
Advice from Rupert Evans helped Bruce Pea, a resident of Champaign (Illinois) successfully self-publish his book The Prairienet Companion. Pea learned about self-publishing from three sources: from Evans, from books on the subject, and by joining an Internet mailing list. “It didn’t take long to write this book, only about two months,” Pea said. “The editing process, on the other hand, seemed like it would take forever.” Pea said that a friend of his did wonderful work as the book’s editor. “Editing took about five months and was worth all the effort it took to get the manuscript in shape,” he added. Asked to give advice to newcomers, Pea said: “The first thing I would say is know who will buy your book and how you are going to reach them when you are ready to sell your book before you start writing. Also find a good editor, graphic artist, and printer to work with.”

The actual process of self-publishing your book may be divided into four basic phases: writing and editing; finding and working with a book printer; preparing the text, cover, and illustrations for printing; and publicizing and selling the book. All these skills and activities can be self-taught. The self-publisher may choose to do all of these activities herself, or hire help for any specific phase of the project. The remainder of this article contains a dozen sensible tips for getting started. The most common and most important questions are addressed here: How should a newcomer begin? What needs to be done? How much will it cost? Will the book be a success?

First write your book, and write it well. This first slice of advice is by far the most important. Read books in the same field as yours and compare for quality. If your book doesn’t measure up, go back to the writing board, and rewrite until it’s right. Before telling yourself the magic words (“The book is done!”), get opinions from well-read friends who will tell you with objective candor exactly what they think.

Publishing your book yourself should be considered as a last resort, only to be attempted if you have money to burn, time to spare, and a book you believe in with your whole heart and soul. It’s rare for a first-time author-publisher to financially break even. (Repeat this last sentence seven times before embarking on the self-publishing adventure.) Begin by following the beaten track: send your manuscript to established publishers and literary agents. But remember too, that a large percentage of books published by major publishers never get off the ground. In 1851, Herman Melville’s Moby Dick was published by one of the top publishers in New York, and ten years later it had sold only sixty copies. Possibly the best way to reduce the financial risk of self-publishing is to use Rupert Evans’s book-on-demand method, discussed above.

Beware of fee-charging literary agents and vanity presses. Avoid literary agents that want to charge a reading fee, or other fees except basic expenses for photocopying, phone calls, and the like. Resist the temptation to be published by the well-named “vanity” presses. Said Martin J. Baron: “Vanity publishing is to legitimate publishing as loansharking is to banking.” Literary agents and publishers should pay the author, not vice versa.

Decide if self-publishing is right for you. Make a plan of things to do, how much you’ll be spending, and what you hope to achieve. Remember that the process of producing a book is usually performed by a large team of experienced professionals. If you’re going to do it all by yourself, expect it to take a lot of time. Will it be worth the effort? Only you can decide.

Get at least ten printing estimates. The cost of printing your book depends on many factors: the size of the book, the number of illustrations, the number of pages, and much more. To print 1,000 copies of a basic no-frills paperback book can cost, generally, between 3,000 and 5,000 dollars. Get estimates from at least ten book printers who specialize in printing short-runs: these printers have the technology and know-how to give you the best quality and the lowest price.

Get your book reviewed. Once your book is printed, marketing the book is a whole new challenge. It’s difficult to sell any kind of book yourself, but nonfiction writers usually have an easier time than fiction writers and poets. Whatever genre you choose, invest time in trying to get your book reviewed by large or small publications, local and far away. Good reviews, or any reviews at all, can make a vital difference.

Learn everything you can about the world of publishing and self-publishing. The more you learn, the better your chances. Mark Twain said: “I believe in luck, and I find that the harder I work, the more of it I have.” Like any new business, self-publishing is a significant risk. Twenty years after paying to publish his great book of poems, Walt Whitman was so desperately poor that he was selling his books from a basket on the streets of Camden. And the good-natured Henry David Thoreau jokingly complained that he owned a large library of almost a thousand volumes, and 700 of these were unsold copies of his first self-published book.

Perhaps these two great authors had heard the old folk proverb: “Gold has no value if it remains inside the mountain.” Of course, for Whitman and Thoreau, the treasure they wanted was not the same coveted substance as the world’s glittering gold. When you write and publish your book — not for the money — for the joy and the experience it brings you, that joy is your true wealth and your real success.